be amazing
Friday, 30 August 2013
Wednesday, 10 July 2013
seduction: beware of deception
Red Red lips….
Red red lips glowing from the lip glows
Dripping and shiny from the sparkling effect of the
brush
Ooh sweet words they whisper
Hot magic they work out
Red like a rose they are seductive
Bt there is no rose without thorns.
Red red lips they promise a confectionery
But in the end they threaten to sue your life into
the forest of confusion
And leave you for the incinerator
Where the hyenas lie in wait to devour
They promise a 4th heaven
But six feet under they will leave you in hell fire.
Red red lips sweet words they chant
Like an enchantress they whisper soft words on ice
chiseled on marble
Their song so seductive like the gypsies’ dance
The sweet words uttered..ooh they begin their
seductive dance
Sending my heart out of its regular rhythm
But fast music is bad music.
Red red lips eye lashes red and long like a barbie
doll
Curved and semi circular complementing the painted
face but be careful its not a colour book
thighs in
short, red mini skirts because
Short is good..
Starky yellow
legs all broadcast for all to see beside the club entrance..
But your family they will destroy.
Red red lips like red wine they leave you dizzy
Your head spinning you wont understand
Their product so sweet and melodious a sound to the
tongue
They leave it twisted between sweet and sour
But because of age they become sweeter with time and
second by second they
Drag you down the philosophical corridor of wine
Where the new reasoning capacity is the only
reasoning
But it is blurred reasoning.
Red red lips their intention is to drink your wine
out
So big and so red they steal from your pockets and
are never filled
So big they are the tunnel to a greediness that
melts steal
Red red lips they dig deep into your pouch and leave
with a large chunk
Red red lips are out to drink you out dry because
their thirst is insatiable
Your kegs and tankards will soon run out and so will
they.
Red red lips so soft, so ripe, so juicy, so
appetizing
So red, so ready and so smooth they are a reservoir
for the Lincolns
They will cast a spell on you as they move round and
round ear to ear whispering
Whispering a
hissing so hoarse sweet but full of poison
Like the sun they are bright but directly to the eye
they are blinding
Like a python they wear beautiful colors to draw you
close but when within reach they strike.
Red red lips so smooth, so soft, so juicy, so ripe
and so appetizing
But take a wet cloth and wipe them..they are
cracked, white lips, so wrinkled like washen linen.
They will leave you for the urn.
advertising defined
This
presentation seeks to define advertising from various theoretical perspectives.
The presentation will move on to discuss the implications of the definitions
from each perspective, the strengths and the flaws of the definitions in light
of advertising.
From
a Marxian perspective advertising is an ideological tool that is used to
perpetuate capitalism. Ewen (1976:81) defines advertising as “… a cultural
apparatus deliberately developed by big corporate world engaged in the
imperialist world of the consumerist psyche of the ordinary people.” Marx
alludes to this when he says in Stevenson (2004), “without production there is
no consumption, without consumption there is no production.” To them
advertising is a pivotal tool to maintain the status quo of capitalism. Ewen
further states that there is interpellation of the subject of the system
according to the Marxian definitions advertising thus is laden with captive
social meaning and ideas that are required by the capitalist to reproduce itself.
The implication of this then is that advertising has some immediate effect on
the audience who immediately accept it as it is. However the Marxian
perspective can be criticized for pacifying the audience. Audience are active
and do not just accept the advertising message as it is. Audience or consumers
are active citizens and possess the power to interpret a text and make a
choice.
Williams
(1980:184) defines advertising as the official art of modern capitalist society.
As an art he portrays it as protecting capitalism and as a noble way of life.
The Birmingham school of thought sees advertising as retaining magical powers
and therefore has some magical effect on the audience. According to this then
advertising is the lifeblood of capitalism. Thus according to Williams and the
Birmingham scholars if a coca-cola advert appears on television everyone should
consume the beverage because of the somewhat magical powers advertising
retains. Williams (1980:14),
…commercial systems often
obscure the distinction between human wants
for goods and services and the need for democratic self government. Advertising
is able to play this particular ideological trick by offering magical
solutions to the more authentic problems…
This
is fallacy according to Wallace (1992) in McCabe (2012) when he disqualifies
advertising in the realm of magic. Wallace (1992) argues that art is a gift
given to the audience by the artist, an advertising however is trying to
extract something out of the audience. For example the purpose of the Pepsi
advert is to extract brand loyalty and money from the consumer’s pocket. The
Birmingham school atomizes audiences. It
is not about what the adverts does to people but what the people does with
advertising. It is about the uses and gratifications of advertising by
audiences. According to McDonald (1965) in Joyce (1967) an advertisement value
is that which the consumer gives it. Advertising is not a powerful force as
exaggerated by Williams because there are different types of readings including
negotiated reading, opposite reading and dominant reading.
From
the Frankfurt perspective advertising is the force that homogenizes and
atomifies society resulting in the formation of a mass culture. Their view is
that the homogeneity created by advertising towards a product creates a one
dimensional society where behavior and thinking are uniform. For example the
fashion trends at Midlands State University are followed by everyone.
Advertising carries symbolic standardized information rather than being unique.
Uniqueness of the individual is crashed. Adorno (1993) criticizes advertising
for its commodity fetishism and the extinction of individual uniqueness. Mc
Quail (1992) states that advertising reifies people’s minds and create
consumerism. The major weakness of the Frankfurt perspective is that it also
views the audience as being unable to resist advertising. Audience make value
judgement of adverts and decide on the product to use from the characteristics
of products presented to them by advertising.
According
to the Free Market point of view advertising is a linking device that connects
consumers to products on the market. Kotler (1990)defines advertising as, “…any
paid form of non personal presentation of ideas goods and services by an
identified sponsor, addressed to selected target groups with the objective of
selling, influencing and persuading people to buy…” thus to the free market
theory advertising is a simple economic activity aimed at developing free
business. It is just an economic activity for selling commodities. Advertising
as the definition implies tries to raise awareness within a targeted group for
a commodity without any ideological weight hence it is just a bridge linking
manufacturers of products and consumers. Advertising tells the tale of a
commodity to an audience. Arguing from a Marxist point of view we can say the
definition is flawed because advertising is always value laden and therefore
one cannot possibly rule out ideological content. When two unrelated things
like a car and a girl are put side by side then certainly there is some
ideology.
Economists
however argue that advertising is a selling cost because producers incur the
cost in order to sell. They take a pro-marketing stance as they suggest that it
is part of the selling strategy. Economic analysis shows that ceteris paribus
(all else being equal) advertising is a cost that leads to lower prices if
there are significant economies of scale in production. According to Nielsen if
brand loyalty is created it can lead to higher costs. Advertising to them does
not only influence people but is also influenced by liquidity (the higher the
volume of buyers and sellers the higher the prospects of advertising). In this
case adverts become the demand curve shifter. The main weakness of this theory
is that advertising does not mean a product is going to sell thus it cannot be
a selling cost if the good does not sell. People now employ marketing research
to search for quality not just because they see an advert.
Feminism
defines advertising as a tool that is used by patriarchy to perpetuate
dominance over women. According to this definition everything to do with
advertising seeks to perpetuate female subordination. Leis argue that images
that are totally divorced from reality are advertised in order to stereotype
the role and functions of women and men in society. Women are vulgarized,
commoditized and presented as sex objects in ways which have nothing to do with
the actual product. This is true for example the ripe n’ ready advert on ZTV
where women sing the slogan of ripe n’ ready suggesting that they are ready,
yet this has nothing to do with the original product. The herald reporter Jeke
Fact argues that gender has got nothing to do with cars. However the case not
all adverts are a tool of patriarchy as feminists exaggerate. Most other
adverts do not involve any gender stereotyping
According
to Post Modernists advertising is an activity of information transfer and
system of communication preceding product sale. This means that advertising is
the primary vehicle that transforms the sphere of culture into new territories
for reproducing the commodity sing. In simple this definition is explained by
Baudrillard (1988:23) in Stevenson (2004;153) who says, “…before goods can be
consumed they must become signs. The meaning of objects is established through
the organization of signs into codes. It is only through these codes that
humans come to realize their sense of self and their need.” Baudrillard further
argues that coded discourse that becomes attached to the product has no
relation to reality, there by agreeing with feminists. However advertising is
not without ideology, for instance Tommy Hilfiger’s fragrance comes with the
statement, ‘the real American fragrance’ and with an American flag. There is
the challenge of patriotism that if you do not buy it you are not
American.
In
conclusion one can see that the term advertising as narrow as it may seem has
many definitions that each contains some very important aspect of advertising.
Some theoretical perspectives just advertising as a form of communication with
the consumers yet others argue that there is ideology in adverts and hidden
meanings. Thus advertising is a broad subject that can only be understood if its disected and analysed singular definitions.
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